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#SubmissionSunday | Linkris – Wat Het Djy Dan Ge-Check Feat. HemelBesem

by Phil Chard

Cape Town based Afrikaans rapper Linkris has linked up with HemelBesem on his latest single Wat Het Djy Dan Ge-Check?. The song is a deeply lyrical and emotional song that has me testing my rudimentary understanding of Afrikaans. ONe line that definitely stood out was " Die diepte van my werk kom uit Die diepte van my pyn" which translates to "The depth of my work comes from the depth of my pain". AWE.

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#SubmissionSunday | Miikah – Prelude of the Compendium

by Phil Chard

South African artist Miikah released the NegativeXero EP earlier this month. The 8 track project represents the nexus of electronic, alternative. Hip Hop music and Miikah's unique mentality and approach to life. He just dropped the single Prelude Of The Compendium which s the only song on the NegativeXero EP that he did not produce.

Prelude of the Compendium draws inspiration from 90's alternative free wave music and curing the concept of flying in this world, bringing to light the concept of the 'Sypabong', a term coined by Miikah, relating to an object, emotion or abstract that is not able to exist in the current realm of existence, being too complex to occur, fathom or vibrate... This song is a plea to God to reach the frequencies which enable the youth to find their Ikigai and seek truths beyond the simple realm humans dwell on...

Stream the full EP Below

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#SubmissionSunday | Victor-J – Strong

by Phil Chard

Zimbabwean born, Cape Town based rapper Victor J activates lyrical mode on his latest single Strong. Over an instrumental comprising of bongos , hard hitting drum pads and haunting strings the rapper speaks on his music, the plight of black people, "rappers rapping with similar similes" and "rappers with fake powers like Pikachu"

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#SubmissionSunday | Zeekapten Featuring SeouddrumS & Hopiho – Mwen Plen Lanmou Pou Ou

by Phil Chard

Haitian artist Zeekapten collaborated with the Cameroonian duo of SeouddrumS and Hopiho on his latest single Mwen Pien Lanmou Pou. The SeouddrumS produced song merges Creole and French as the the trio drop incredibly smooth and annoying lines directed at the ladies.

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#SubmissionSunday | KuSs Diverse – Business And Pleasure

by Phil Chard

Durban based rapper KuSs has just sent in his first single Business And Pleasure the single is the first release under his own company U-Diverse Entertainment. Business And Pleasure was produced by Alka-G and will appear on his upcoming I Just Do What I Want EP set to drop later this year. The song is surprisingly impressive and well put together, I just wish he spent as tie and effort n his album as he did on his music.

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REVIVO – Don’t Tell Me Whattado (Official Video)

by Phil Chard

The South African collective Revivo (Revivolution) dropped their album Kotas & Kaviar last month and one of my favorite tracks on the project was Don't Tell Me Wattado. The song caught my ears attention mainly because it had a sound very different to the rest of the album and had a very strong club and dance appeal.

The group just dropped a video for the song that features verses from Inferno Williams, FuSion and Impropoe. The video which looks like it was shot at Tiffindell Ski resort features the group battling artificial snow as they deliver the songs versus with a number of cameos thrown in just to keep things spicy.

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Part Time Cooks & SoulChef – Smash Town ft Nucksal (넉살) (Official Music Video)

by Phil Chard

Part Time Cooks have just released the first video off their recently released 7:30 Album. As I declared in my review of the album this is definitely the duo's best body of work since they formed.

However though Smash Town was byno means my least favourite song on the album it is a surprising choice for a first single, but despite that it fits the brand Part Time Cooks have built for themselves with their 3 projects. I'm sure the feature from Nucksal (넉살) will also help give the song traction in Korea.

The video is a highly entertaining affair where the duo spend the night wining and dining a duo of blow up dolls only to be hustled in the end. You just gotta watch it.

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#FeatureFridays Interview With Phlow

Words By Phil Chard

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Last week's #FeatureFridays winner Phlow simply stomped out her competition in the voting poll by a big margin. With such a large following and a small yet impressive music catalogue to back her, I got hold of the Nigerian rapper to discuss her career thus far, being a women in rap and her career plans.

You seem to have a substantial following based off your margin of victory in the last [#FeatureFridays] poll. Can you give us brief rundown of how long you've been in the rap game? 

It's been on and off, technically I got into the the game in 2014. But since 2009 I've been recording stuff. Way back in college I was part of a rap group and we would record songs and covers. My fan base is basically the rap heads here. My sound is not as popular as the usual African sound. But so far i've been able to get a little bit of a fan base 

I read that you're  a computer science graduate. So are you doing this Hip Hop thing part time or invested in it fully now? 

I'd like to say I'm doing both part time. I'm doing the music part time and the work part time. It's a mix of both. 

As it stands do you feel that your lifestyle cannot be fully sustained but the music? 

In the long I'd like to think so, but between 2014 and now is a really short time so I'm just trying to see where it goes. 

How did you link up with Tekzilla? 

I met him in 2014. Within two months of meeting we started recording a lot of tracks. I went for this Hip Hop show that happens once a month with a friend. I got there and Tekzilla was the DJ and thankfully they let me perform. It was really good and Tekzilla hit me up and said he was working on a project I got into the studio and we worked on a song that is on the Mind Body and Phlow to [Reputation] the following week he hit me up again and it's been magic ever since.


As a woman in Hip hop how hard has it been to get your name out and get respected and recognised.?

Getting recognised and getting respect in this game are two different things. Getting recognised isn't that much of a problem because not that many of women are doing this. Getting respect is what you really have to work hard at. Some people just assume that you're a girl that you can just throw a couple of rhymes and “it's fine we'll listen to you”but to actually be respected and for them to be like “OK this girl can really really do what she's doing” is really tricky. I was recently part of the Hennessy VS Class [Rap] lyricist competition and it was really fun. I was the only girl and I was hoping I wouldn't have to get picked on that fact. I was one of the winners and I still like to believe that because it was a lyricists competition they really respected what I brought to the table  Respect is something I'm working on trying to get every time.


When can we expect your album or follow up EP?

I'm working on an EP right now it's basically done. It's with a Swedish producer called Rayko so that should be dropping sometime in September. . It's a bit of a personal project. It's a different side. Then I've got another EP that I'm working with Tekzilla and another joint project with Cyclone. [The friend who took Phlow to the event she where she first met TekZilla ]

Are you trying to get signed or stay independent? 

Well I'm approaching it as an independent. I have a production deal with Str8 Buttah that's where Tekzilla is from. I'm just working with them and seeing how it goes. 

How frequently are you getting booked for shows out there?

Not very often actually, we have our own crowd but for the mainstream shows item pretty tricky.

Are there any rappers you're planning on working with on the content? 

Yeah. Modenine is one, MI, there Poe, there’s lots of people I'd like to work with. 

@Phlowetry

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DJ Dimplez – Bet It All Featuring Maggz & Kimosabe

by Phil Chard

DJ Dimplez just released the first single off his upcoming sophomore album titled Bet It All featuring Maggz and Kimosabe. In a shocking twist, DJ Dimplez abandons his trademark club sound and opts for a slow and mellow Hip Hop ballad aided heavily by Kimosabe’s vocals while Maggz drops some smooth bars on the hook and bridge.

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The AHHB Podcast Featuring Yanga

by Phil Chard

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The best African Podcast is back again with another incredible episode highlighting some of the best content on the continent. In this week’s episode I share an interview that I did with Yanga earlier in the year where we discuss his highly anticipated Touch Is A Move EP and his early days as a video director and editor for none other than Slikour and Studio Space Pictures.

I also play music from E.L., Nyashinki, DJ Towers, and a tonne of Ugandan artists for the End Of The Weak Cypher.

Don’t forget to subscribe to the podcast on our various platforms below.

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AHHB R&D | Trademark Your Name

Words By TNGlive

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One of the most personal but important decisions an artist or performer makes is settling on a stage name.

There is no rule saying you cannot use your government name, and likewise there is no rule stating that you’d be absolved from getting into potentially sticky situations with your government name.

In this information age, it goes without saying that one of the first things to do is a quick internet search to see if your chosen name is used elsewhere by someone in a similar field. What also usually goes un-said is when results show no one else is using the name you’ve constructed, it does not automatically mean it’ll remain yours to own at any given time going forward.

Trademarking your name is as essential for you as having some kind of ownership of rights to your music.

Here’s a hypothetical situation. Say you’ve been doing well with your grind, and now there is a deal on the table that will propel you to new heights. If it hasn’t been said, let it be said, there is no such thing as a universally standard contract. There are however things you can look out for, and one of those is ownership of your stage name.

Maybe you sign anyway, ignoring this clause, and later you’re not happy and you want out of the deal. You may be granted permission to exit the deal, but terms and conditions will apply. If the company owns your name, your name remains with the company. Now you can’t release new music using that name, and that is just the beginning of all the things you can no longer do, as you. Imagine that. How many times have you ever wondered what happened to so and so, they were so talented?

So if you don’t want to find yourself in a situation where you have to start over again with your brand identity, after building a fanbase that has come to know you by some other name, then hustle hard to trademark your name as soon as possible.

A good place to start is to search here to find out if your proposed name has been already trademarked by another entity or person in the world’s biggest single market for entertainment. Next you’ll want to do a local search to see if your proposed name hasn't already been trademarked in your country.

Get a Trademark Lawyer

The above should show you that it's not exactly a quick step to the finish line. A trademark can be country specific, or for specified regions in the world where you have filed applications, or worldwide. If you manage to tackle it on your own in your country of residence, then begin trying to register your trademark in other parts of the world, it morphs into a complicated journey. When you have different countries with different laws, the best course of action might be acquiring the services of a lawyer who specialises in trademark law.

Google is your friend, but if you want to go a step further and make sure you’re getting legit services, consult your local lawyers association or a similar organisation that promotes intellectual property law. An example from South Africa is theInstitute of Intellectual Property Law where you can get a list of lawyers who specialise in trademark law. It’s no question this route may be a costly exercise. It's much like purchasing record producing hardware and software, and paying for a mastering engineer's services, this too is a crucial investment to make, funds willing.

Do It Yourself

If you’re going to do it yourself, a useful route to take would be the Madrid Protocol, which will allow you to pay one fee and get trademark protection in approximately 97 countries.

Go here to see a schedule of fees you’ll have to budget for. However, before you can proceed, you will still need to have filed an application for local trademark somewhere in the world, preferably your current country of residence. It's through this first application, that your international trademark application can be forwarded to the World Intellectual Property Organisation for examination.

Go here for a flow chart of their process, and further information on how to proceed with filing and managing your trademark registration.

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Event | The Toyota DRUMBeat Festival

by Phil Chard

The lineup for the Toyota DRUMBeat music festival that will take place at the Soweto Theatre on the 27th of August has just been announced. Headline acts include Karabo, Sipho Hotstix Mabuse, Solly Mahlangu, Mi Casa, Nathi, Kwesta, Mobi Dixon and Nasty_C.

In a move unique to the festival the organisers will be removing the seats in the theatre to give it an outdoor feel, indoors

Following the successful format from the previous concerts, DRUMBeat will have no seating and no reserved standing. However, a VIP hospitality area, curated by Rashid Lombard Inc., has been introduced for this year and details of the available packages will be announced on 1st July.

Show Details:

Date: 27 August 2016

Venue: Soweto Theatre, Soweto

Artists: Karabo, Sipho Hotstix Mabuse, Solly Mahlangu, Nathi, Mi Casa, Kwesta, Mobi Dixon, Nasty_C

Tickets: R150 pre sale via Computicket (online and at stores)

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Patrobas – Voice Inside Featuring Abaasa (Official Video)

by Phil Chard

British based Ugandan rapper Patrobas is an artist that we just came across and it is a surprise that a man this talented has managed to go unnoticed for so long. The rapper recently dropped a video for Voice Inside, an introspective song that speaks on rebirth and reinvention featuring the vocals of Abaasa over the hook.

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The Best of Kenyan Hip Hop So Far in 2016

by Phil Chard

Much like the rest of the continent that Hip Hop movement on the Eastern Ends of Africa is experiencing a great deal of growth within its various industries and nations. I linked up with Radio host and Blogger MIss Ruby to compile some of our favorite videos from the beginning of the year.

Odinareh Bingwa - Pressure

We featured this song from Odinareh earlier in the year here and we loved the trap feel and delivery from O. This song will be on his Diani – Papa La Kusini mixtape

Khaligraph Jones - Mazishi

Khaligraph is a veteran of the Kenyan scene having made his name known as far back as 2009. However 2016 is already proving to be one of his most successful years to date with appearances on MI's Illegal Music III mixtape, Coke Studio Africa and an East African tour in the works.

Raj - Bwakire / Good Morning

When Kenyan rapper Raj released the repetitive and catchy song Bwakire. I wasn't sold on the song initially until I found myself singing the it involuntarily days later. This song about early worms is a real earworm.

125 Ft Red Acapela - Taabu

Kenyan outfit 125 linked up with the folk music duo Red Acapela on Taabu. The song has an experimental yet refreshing sound that borrows from traditional elements produced by House of Dille

BV Accurate – Kwaheri

Former Cr3w member BV Accurate released the third video off his Day Departure EP titled Kwejeri. The song and EP can be streamed via Soundcloud here

Party Like A Moda (Explicit) - Abbas Kubaff ft Victoria Kimani (Official Video 2016)

Abbas Kubaff has been an institution in the Kenyan Hip Hop scene for a few years now, the outspoken artist linked up with Choc City artist and fellow Kenyan act Victoria Kimani on the aptly titled turn up tune Party Like A Moda.

Nyashinski - Now You Know (

Former member of the iconic Kleptomaniax rap trio Nyashinski returned from his extended sabbatical from Hip Hop and Kenya after moving back form the USA with one of the most impressive songs n this list . The song Now You Know which speaks on the ills of the game has a poignant and beautiful video that displays just how effective simplicity can be.

C2K - KIDERO GRASS FT. KAGWE MUNGAI

Since relocating back to Kenya from South Africa C2K seems to be building solid reputation and following for himself with popular releases like Lupita and his current single Kidero Grass featuring Kagwe Mungai on the song that pokes fun at Evans Kidero's Kidero Grass initiative that wanted residents of Nairobi to plant grass throughout the city in preparation for Barack Obama's' visit.

Kagwe Mungai – Doctor

And Finally we have accomplished producer, singer and rapper Kagwe Nugai (also the artist that inspired this whole piece) and his song Doctor. In my opinion this joint has the potential to be a certified continental smash as Kagwe merges Dancehall , Bongo Flava and Hip Hop.

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Is This The Big FKN Funeral We’ve Been Waiting For?

by Tseliso Monaheng

It's one of the great mysteries of my time why Big FKN Gun aren't the biggest thing there is on earth. They deserve it all breh -- the big-name festivals, big endorsement deals, expensive drugs with hard-to-contact dollar billionaires...you know, the whole LOT! But it isn't the case. Instead, you've the best emcee combo there is in South Africa -- Keith and Bra Sol doubtless rap circles around your top 10-listed rappers -- and the best producer around bar-for-bar, loop-for-loop and what-have-you, in the form of Soulfaktor -- you've this talented lot (including a fourth member Vulane Mthembu) being overlooked.

Like, crickets. Nothing. Silence.

This is so surreal for me!! We are officially NUMBER 1 on the @Yfm #BombChart w/ #GoldTeeth&Carvelas thank u so much to all who supported 🙏🏽

— BIG FKN GUN (@Bra_Sol) January 2, 2016

But could it be that we are missing the whole picture? Their single "Carvelas and Gold Teeth" charted on Joburg-based Gauteng regional radio station YFM's #TheBombChart in January this year. That surely counts for something, no?! As Bra Sol exclaimed, it was a surreal moment when the then-10 month-old single occupied the number 1 position on an influential youth platform. The nod served as an indicator that while the BFG machine might be taking time to get to the forte, it is towering ever so near.

About a week ago, BFG's Facebook account released the tentative artwork for Funeral, the much-delayed sophomore to their Pop Models debut EP. I immediately thought of ScHoolboy Q when I saw it posted on-line! When the US-based rapper released his take on the Michael Jordan meme, many not only thought it was going to be the cover for his Blankface LP, they were as impressed as I was at how he stroke at the underbelly of the meme age -- a photograph of a basketball legend, captured during his 2009 Basketball Hall of Fame induction speech -- owned it, and dragged it down to Donald Trump’s level and back up when he realised the extent to which instant gratification had made us on-line crawlers gullible (he never did say that was the cover).

Featured on the artwork Bra Sol posted are mother and son, Lillian and Desmond Dube. The two well-renowned South African television and theatre performers are also the ambassadors for a funeral services provider. They regularly appear as anchors on the provider’s advertorials which get broadcast on primetime South African television. Adapting the figures into the pop culture mold, and for an EP named Funeral, is indicative of the collective marketing genius I feel the crew should be tapping more into.

Whether the cover will make the cut is yet to be seen. For now, we wait.

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E.L – Body Bags

by Phil Chard

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E.L seems hell bent on hammering home the point that his Best African Rapper series is not just some marketing gimmick but a certified fact. With tracks like Kaa Bu Ame. Love God and Talk Don't Bother Me all dropping within the last few weeks has already made a very strong case for his argument. Not content with that E>L just dropped his new release Body Bags and once again it is a lyrical onslaught.

I sat down with E.L last week to talk about his new releases and his plans for BAR III, you can listen to the interview below.

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Who Made The 3rd Annual AFRIMMA Nominees List & Who Was Omitted

by Phil Chard

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The AFRIMMAs just announced the nominees for the third edition of their show. Once again the event celebrating AFRICAN music will take place in Dallas Texas on 15th of October.

The list of nominees, though quite extensive is once again it is very skewed towards the West. Notable exceptions are Runtown, Black Coffee (DJ of the year), Olamide (Artist of the Year) .

The Rap category is also filled with some perplexing omissions. E.L does not get a nod despite his incredibly successful year. Stanley Enow has also enjoyed another successful year and is conspicuously not on the Best Rap list but managed to make Best Male Central Africa. Other omissions are Joh Makini, and MI.

Artist of The Year

Flavour (Nigeria)

Diamond Platnumz ( Tanzania)

Sarkodie (Ghana)

Wizkid (Nigeria)

Aka (South Africa)

Tiwa Savage (Nigeria)

Sauti Sol – Kenya

C4 Pedro – Angola

Song of The Year

Sauti Sol ft Ali Kiba – Unconditional Bae

Franko – Coller La Petite

Reggea Blues – Kcee, Harrysong, Orezi, Iyanya and Olamide

Bisa Kdei – Mansa

Tekno – Duro

Kiss Daniel – Mama

Phyno ft Olamide – Fada Fada

Diamond Platnumz ft Aka – Make Me Sing

Best Rap Act

Phyno – Nigeria

Olamide – Nigeria

Aka – South Africa

Sarkodie – Ghana

Casper Nyovest – South Africa

King Kaka Sungura – Kenya

Octopizzo – Kenya

Prodigio – Angola

Best Collaboration

Reggea Blues – Harrysong , Kcee , Iyanya, Olamide and Orezi

Finally by MasterKraft , Flavour and Sarkodie

Mr. Eazi ft Efya – Skin Tight – Ghana

Diamond Platnumz ft Aka – Make Me Sing

Wizkid X Dj Maphorisa – Soweto Baby

Kiff No Beat ft Dj Arafat – Approchez Regardez

Lil Kesh ft Patoranking – Is it Because I love You

J Martins ft Youssour Ndour – Time is Now

Best Male West Africa

Wizkid – Nigeria

Bisa Kdei – Ghana

Serge Beynaud – Ivory Coast

Olamide – Nigeria

Flavour – Nigeria

Carlou D – Senegal

Davido – Nigeria

Sarkodie – Ghana

Best Female West Africa

Tiwa Savage – Nigeria

Yemi Alade – Nigeria

Efya – Ghana

Vivian Chidid – Senegal

Mz Vee – Ghana

Dobet Gnahore – Ivory Coast

Adiouza – Senegal

Almok – Togo

Best Male East Africa

Eddy Kenzo – Uganda

Diamond Platnumz – Tanzania

Jacky Gosee – Ethiopia

Ali Kiba – Tanzania

Jose Chameleon – Uganda

Bebe Cool – Uganda

Sauti Sol – Kenya

Dynamq – South Sudan

Best Female East Africa

Victoria Kimani – Kenya

Vanessa Mdee – Tanzania

Ester Aweke – Ethiopia

Tsedenia Gebremarkos (Ethiopia)

Linah (Tanzania)

Knowles Butera – Rwanda

Sheebah Karungi – Uganda

Akothee – Kenya

Best Male Central Africa

Fally Ipupa – Congo

Magasco – Cameroon

Ferre Golla – DRC

C4 Pedro – Angola

Stanley Enow – Cameroon

Kyaku Kadaff – Angola

Franko – Cameroon

Fabregas – Republic of Congo

Best Female Central Africa

Anna Joyce – Angola

Laurette La Perle – Congo

Betty Akna – Equitorial Guinea

Charlotte Dipanda – Cameroon

Chikune – Namibia

Daphne – Cameroon

Rennis – Cameroon

Arielle T – Gabon

Best Male Southern Africa

Aka – South Africa

Black Coffee – South Africa

The Dogg – Namibia

Vee Mampeezy – Botswana

Dj Bongz – South Africa

Emtee – South Africa

Roberto – Zambia

Casper Nyomvest- South Africa

Best Female Southern Africa

Zonke – South Africa

Miss Lira – South Africa

Ice Queen Cleo – Zambia

Lizha James – Mozambique

Pah Chihera – Zimbabwe

Nnunu Ramo Gotsy – Botswana

Busiswa – South Africa

Best Male North Africa

Amr Diab – Egypt

Tamer Hosny – Egypt

Chawki – Morocco

Mohammed Hamaki – Egypt

Douzi – Morocco

Saad Lamjareed – Morocco

Khaled -Algeria

Saber Rebai – Tunisia

Best Female North Africa

Samira Said – Morrocco

Ibtissam Tiskat – Morocco

Angham – Egypt

Sandy – Egypt

Amal Maher – Egypt

Latifa – Tunisia

Amani Swissi – Tunisia

Jannat Mahid – Morocco

Best African Group

Sauti Sol – Kenya

Radio & Weasel – Uganda

Os Moikanos – Angola

Bracket – Nigeria

Mi Casa – South Africa

R2bee’s – Ghana

Bana C4 – Congo

Yamoto Band – Tanzania

Crossing Boundaries With Music Award

C4 Pedro (Angola)

Wizkid (Nigeria)

Maitre Gims – (Congo)

Tinie Tempah – Nigeria

MHD – Senegal

Ayo Jay – Nigeria

STL – (Kenya)

Rotimi (Nigeria )

Best Gospel

Frank Edwards – Nigeria

Uche Agu – Nigeria

Willy Paul – Kenya

SP Koffi Sarpong – Ghana

Icha Kavons – Congo

Ntokozo Mbambo – South Africa

Sinach- Nigeria

Sonnie Badu – Ghana

Best Newcomer

Adekunle Gold – Nigeria

Reekado Banks- Nigeria

Harmonize – Tanzania

Falz – Nigeria

Locko- Cameroon

Nathi – South Africa

Kofi Kinaata – Ghana

Humblesmith – Nigeria

Best Video Director

Justin Campos – South Africa

Godfather – (South Africa)

Clarence Peters – Nigeria

Patrick Elis- Nigeria

Mysta Adrenalyne -Cameroon

Enos Olik – Kenya

Phamous Films – Ghana

Savy Filmz – Uganda

Best Dj Africa

Dj Spinall – Nigeria

Dj Joe MFalme – Kenya

Dj Cndo – South Africa

Dj Neptune – Nigeria

Dj Malvado Jnr – Angola

Dj Shiru – Uganda

Dj D-Ommy – Tanzania

Dj Labastille – Cameroon

Best African Dj USA

Dj Tunes – Nigeria

Dj Amin – Ethiopia

Dozzy Ross – Nigeria

Dj Deemoney – Nigeria

Dj Silent Killa – Carribeans

Dj Akua – Ghana

Dj Fully Focus -Kenya

Dj Rell – Sierra Leone

AFRIMMA Video of The Year

Flavour – Champion (Nigeria)

Emma Nyra ft Patoranking – For My Matter (Remix)

Sauti Sol ft Ali Kiba – Unconditional Bae (Kenya/Tanzania)

Bisa Kdei – Brother Brother (Ghana)

Akothee ft Diamond – My Sweet Love Kenya /Tanzania

Stanley Enow ft Aka and Locko – Bounce (Cameroon/South Africa)

Phyno ft Olamide – Fada Fada

Korede Bello ft Tiwa Savage – Romantic ( Nigeria )

Music Producer of The Year

Young John – Nigeria

Masterkraft – Nigeria

Dr Fizol – Uganda

Kaywa – Ghana

Visita – Kenya

Tweezy – South Africa

Tud Thomas – Tanzania

Dj Coublon – Nigeria

Best African Dancer

Kaffy Dancequeen – Nigeria

Ezinne CEO – Nigeria

Brenda Derry – Cameroon

Sherri Silver – Rwanda

La Petite Zota – Ivory Coast

Eddy Wizzy – Uganda

Moses Iyobo – Tanzania

Roxy Roberts –

Dancehall Act of the Year

Timaya – Nigeria

Stonebwoy – Ghana

Buffola Soldier – Zimbabwe

Burna Boy – Nigeria

Mc Norman Ganja -Uganda

Samini – Ghana

Patoranking – Nigeria

Shatta Wale – Ghana

AFRIMMA Caribbean Artist of The Year

Morgan Heritage

Alaine

Machel Montano

Sean Paul

Konshens

Busy Signal

Tarrus Riley

Olatunji

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